Monday, 9 February 2015

The Scion

A Safkhet, last week.  Photography © Guy T Martland



Early December.  Last year.  I was sitting at the back of a conference hall in faceless Heathrow hotel land.  Tired because of an early start and wired because too much coffee was inter-reacting with my sleep-deprived cerebral cortex.  My phone seemed to have entered a reception black hole.  Or maybe it was jammed because of the planes, I wondered, conspiracy theories blooming in my mind.  The hotel had wifi, I noticed during a particularly dull lecture.

I pressed the email icon on my generic smartphone.  A missive had arrived from a publisher.  I opened it, wondering if it could be another rejection.  Always the optimist.  I scanned the first few lines.  Then read it again.  And again.  My science-fiction novel 'The Scion' had landed a publisher!  They were called 'Safkhet Publishing' - I'd met some of their authors at Loncon earlier in the year.  The contract was for it to be published as an eBook in the first instance.

In a break I made some excited phone calls, dropped a few texts to friends who'd read it.  The conference passed in a blur.  Then there were some drinks in London, a gig (Son of Dave) with some old friends.  I may have had one too many.  And then then next day: home, happily hungover.

So, where are we now?  Well, shortly after the email, I signed a contract with Safkhet.  Then came my final edit, working through the book, obsessively making sure I hadn't missed any glaring plot holes.  I changed some formatting to Safkhet's liking.  A few Cure lyrics were removed - even though Robert Smith nicked stuff from everyone (Mervyn Peake, Penelope Farmer to name a few), I'd read that securing permissions on their lyrics was near impossible.  I did however obtain permission to use the title of an Autechre EP as a character (thank you Warp Records!).

And then it was off for their copy edit, sent late December.  I imagine it is now slowly working its way through the machinations of the publishing world.  Somebody somewhere might even be creating a cover... When I hear more there will be further blogs.  But in the meantime, some short stories have been accepted in various places.  And I'm writing, writing, writing - mostly working on a separate novel.  But I've also cranked out the first 10K words of a loose sequel to The Scion...

References: 

You can see some great examples of these in the British Museum, like I did last week.



Sunday, 1 February 2015

This Took Bloody Ages



TTBA is the Cambridge University Science Fiction Society (CUSFS) magazine.  The meaning of the TTBA acronym has changed for each issue of the magazine produced, its first issue 'Title To Be Announced' published in 1974.

I had a few stories 'Descent From Heaven' and 'The Colour Of Language' published in 1997 in 'This Took Bloody Ages'.

The CUSFS has got a brand new webpage and are adding compiling all the editions of TTBA as and when they find them.  Many have been lost in the mists of time...

You can read my offerings here: 'This Took Bloody Ages' Or you can go and read all the other available issues here: TTBA.

Sunday, 18 January 2015

Bolted On Technology, Artificial Intelligence And Aliens

'Art, in its broadest sense, is the only thing that defines us as humans.' 

The new one in 'The Machine Sequence' in now up over on Imaginalis.  These are all prequel flash stories to my novel 'Machine Songs', which I'm still working on...

If you want to read them in order, I've created a new page for the site with details of all 'The Machine Sequence' stories in order... You should be able to find it in the menu at the head of the blog.





 

Sunday, 11 January 2015

The Harmony Of Immortal Souls

J.S. Bach, violin concerto in A minor BWV 1041
(Hipstamatic Jane camera, Kodot XGrizzled film)


The new flash story in 'The Machine Sequence' is now up over at Imaginalis!  As I've stated earlier on the blog, these are prequel stories to my novel 'Machine Songs', which is currently proceeding through a second draft.

This piece features two Shakespeare quotes:

The first is from Lorenzo in The Merchant of Venice, Act V, scene i:

‘Such harmony is in immortal souls,
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.'


Enter musicians 
The second is from Duke Vincentio in Measure for measure, Act IV, scene i:

' 'Tis good; though music oft hath such a charm
To make bad good, and good provoke to harm.'   

If you want to read them in order, check out the separate 'Machine Sequence' page in the site's menu.


More to follow over the next few weeks/months.  

Friday, 26 December 2014

The Leaf Of Valerian

OK, this isn't Valerian. But it is another awesome photo from Peter Isherwood...
The next story in 'The Machine Sequence' has now been published by Imaginalis!  This is called 'The Leaf Of Valerian', in which the Botanist comes up with a plan. But will they ever find Fenix? 

These flash stories all precede my (as yet unpublished) novel: Machine Songs (working title).  If you want to read them in order, they have a separate page in the blog's main menu.


More to follow over the next few weeks/months.  

Thursday, 18 December 2014

The Witch In The Forest



The next flash story in what I am now calling 'The Machine Sequence' is now up on Imaginalis. This is called 'The Witch In The Forest' and touches on some legends of the Black Forest.

These flash stories all precede my (as yet unpublished) novel: Machine Songs (working title).  If you want to read them in order, have a look at their separate page in the menu.

More to follow over the next few weeks/months.  

Wednesday, 10 December 2014

FIve Hundred Years Later

http://mysteriapress.com/wp-content/uploads/2014/12/Bento-15.pdf
Artwork by Iestyn Rhobet

Bento Box #15 is out now, from Mysteria Press!  This features one of my flash short stories 'Five Hundred Years Later'.  Bento Box #15 was edited by Lisa Knight, of Imaginalis fame...

You can download the entire anthology, for free, from here (or click the picture).  Enjoy!